wedding dress.

(Source: monstreux, via megsnotplural)

brightwalldarkroom:

"There are a handful of shows I ask everyone I talk to about television if they have seen: The Wire, Mad Men, Friday Night Lights. But when I ask them if they’ve watched and loved Friday Night Lights, what I mean is are you my kind of person? Are you all heart? Are you bothered by this 21st-century lack of earnestness, our abundance of irony? Do you wonder how we forgive and coach ourselves to do better? How we can strive again for valor and loyalty and daring and redemption? 
I fear we are defaulting to needless negativity as some kind of social currency. But Friday Night Lights is the most earnest show I’ve ever watched. Not sentimental, however: these characters aren’t perfect. In fact, this show is incredibly astute at allowing humans to have stratums of complexity: to have character and occasionally act without it, and then to live in the mire of their own dumb choices. Do I adore Coach? Yes. Do I think, as Tammy says, he is a molder of men and a husband of fierce devotion? Absolutely. Do I also think he can also be a self-involved, sexist prick who values his career over his wife’s? No question.
Regardless of the scale of the battle, the stakes in Friday Night Lights are rarely phony or contrived. It’s about winning games, sure, but its scope far exceeds that. This is a show that tests and reflects commitment not just on the football field, but back in the locker room. And in Street’s rehab room, and Saracen’s grandmother’s living room, and Julie’s bedroom, and eventually out to Luke’s farm and Tim’s prison and Tammy’s dream in Philadelphia. This commitment is not about obligation, but something more sacred. Duty. The hidden gale that blusters and grows within us and makes us yearn to give someone else exactly what they need.”
—Erica Cantoni on Friday Night Lights (Bright Wall/Dark Room, Issue #14, July 2014)

brightwalldarkroom:

"There are a handful of shows I ask everyone I talk to about television if they have seen: The Wire, Mad Men, Friday Night Lights. But when I ask them if they’ve watched and loved Friday Night Lights, what I mean is are you my kind of person? Are you all heart? Are you bothered by this 21st-century lack of earnestness, our abundance of irony? Do you wonder how we forgive and coach ourselves to do better? How we can strive again for valor and loyalty and daring and redemption? 

I fear we are defaulting to needless negativity as some kind of social currency. But Friday Night Lights is the most earnest show I’ve ever watched. Not sentimental, however: these characters aren’t perfect. In fact, this show is incredibly astute at allowing humans to have stratums of complexity: to have character and occasionally act without it, and then to live in the mire of their own dumb choices. Do I adore Coach? Yes. Do I think, as Tammy says, he is a molder of men and a husband of fierce devotion? Absolutely. Do I also think he can also be a self-involved, sexist prick who values his career over his wife’s? No question.

Regardless of the scale of the battle, the stakes in Friday Night Lights are rarely phony or contrived. It’s about winning games, sure, but its scope far exceeds that. This is a show that tests and reflects commitment not just on the football field, but back in the locker room. And in Street’s rehab room, and Saracen’s grandmother’s living room, and Julie’s bedroom, and eventually out to Luke’s farm and Tim’s prison and Tammy’s dream in Philadelphia. This commitment is not about obligation, but something more sacred. Duty. The hidden gale that blusters and grows within us and makes us yearn to give someone else exactly what they need.”

—Erica Cantoni on Friday Night Lights (Bright Wall/Dark Room, Issue #14, July 2014)

(via apsies)

joselynhughes:

me
alexieileen:

The leg of this farmers table is so Abe Lincoln. 🎩🇺🇸 #honestabe #abrahamlincoln #uspresidents #faceseverywhere #table #döppelganger

i see it.

alexieileen:

The leg of this farmers table is so Abe Lincoln. 🎩🇺🇸 #honestabe #abrahamlincoln #uspresidents #faceseverywhere #table #döppelganger

i see it.

cvxn:

The exact SECOND I was taking this pic of her great outfit, hoping she wouldn’t trip in those #redheels…

sad and amazing.

cvxn:

The exact SECOND I was taking this pic of her great outfit, hoping she wouldn’t trip in those #redheels…

sad and amazing.

(Source: tacomaster420, via juliasegal)

(Source: hurwitzs, via yumwatch)

thewhitewashfactory:

whitepeoplestealingculture:

nubbsgalore:

photos by gerry ellis from the david sheldrick wildlife trust, a nursery and orphanage for elephants in kenya’s tsavo east national park. here, fifty five keepers are charged with being around the clock parents to an elephant. the elephants, however, are the ones who chose their caretakers; it is the keepers who must ingratiate themselves to the elephants and earn their trust.

when elephants first arrive at the orphanage they are often traumatized from having witnessed the slaughter of their mothers and family by poachers. grieving can last several months, and they often lose the will to live. but as dame daphne sheldrick, founder of the orphanage, explains, a caretaker is charged with “persuading an elephant to live when it wants to die.”

approximately 35,000 elephants are killed by humans every year. with an estimated 350,000 elephants left in the whole continent of africa, they will be gone in the wild within ten years.

cbc’s the nature of things did a program on the elephants and their caretakers. you can foster an elephant with the david sheldrick wildlife trust online here. for more on the emotional lives of elephants, as well as the david sheldrick wildlife trust and other human efforts to save them, check out these posts

This is better to see than white people with African animals.

- Jess

This^

I’m sick of seeing white people as the face of those who help African mammals (and animals across the globe.)

-Christina

(via waveschocolatenetflix)

castielsgayagenda:

LET ME TELL YOU SOMETHING ABOUT MAYIM BIALIK. 

FOR YEARS AS A KID AND TEEN, SHE BALANCED SCHOOL AND ACTING, NEVER ONCE LETTING HER GRADES DROP OR HER CAREER SUFFER. 

SHE GRADUATED HIGH SCHOOL AT THE TOP OF HER CLASS, AND WAS ACCEPTED TO HARVARD AND YALE BUT CHOSE TO GO TO UCLA BECAUSE SHE WANTED TO STAY CLOSE TO HER FAMILY. 

SHE EARNED A BACHELORS IN NEUROSCIENCE, HEBREW STUDIES, AND JEWISH STUDIES ALL AT THE SAME TIME.

SHE THEN WENT ON TO GET HER DOCTORATE AND A Ph.D. IN NEUROSCIENCE, WHILE BALANCING AN ACTING CAREER AND MOTHERHOOD.

SHE HAS BEEN THE BUTT OF SO MANY FASHION JOKES AND ANTI-SEMETIC JOKES IN HOLLYWOOD. WHEN PEOPLE SAW HER AS AMY, THEY RIDICULED HER ONLINE. 

BUT SHE STUCK WITH IT. BECAUSE SHE IS A BEAUTIFUL AND AMAZING PERSON AND IS HAVING NONE OF THIS “WOMEN CAN’T BE SUCCESSFUL AND SMART BULLSHIT. 

SHE IS ALSO A NOW-SINGLE MOM OF TWO BOYS. AND STILL KEEPS HER CAREERS (YES THAT’S FUCKING PLURAL) ACTIVE.

BUT YET, PEOPLE STILL HAVE THE AUDACITY TO ASK HER STUPID FUCKING SEXIST QUESTIONS THAT THEY WOULD NEVER GIVE, SAY, JIM PARSONS OR JOHNNY GALECKI. 

MAYIM BIALIK IS A FUCKING ICON. 

(Source: scavengervortex, via waveschocolatenetflix)

nobraska:

this is me

(via kathkathkath)

(Source: lohan, via kathkathkath)

cvxn:

ME ERRYDAY 4EVER

cvxn:

ME ERRYDAY 4EVER

(Source: tilly3200)